Anjali lost her eyesight at eight after her vision had gradually weakened during childhood. Despite losing her sight, she continued working with clay. She first made diyas and clay toys before becoming interested in idols of Ganesha, Shiva and other deities. Using her hands to feel their shapes and details, she began creating idols herself. Her family supported her, and her work later received encouragement from members of her community.
From Clay Toys to Idols
Anjali‘s interest in clay began during childhood, when she made diyas and later clay toys. Her visits to temples introduced her to idols of Hindu deities, which inspired her to try making them herself. She learnt to work by touch, using her fingers to understand the curves, shapes and finer details of the forms she was creating.
Turning Discouragement Into Determination
According to the account shared about her journey, Anjali’s eyesight had been weakening so gradually that she initially did not realise how much her vision was deteriorating. After she began repeatedly bumping into walls and objects, her family recognised that something was wrong.
Treatment and an operation followed, but her eye nerves eventually stopped functioning. She was later told that her vision could not be restored. Despite people telling her that she could not do much because she was blind, Anjali continued developing her craft.
The Logical Indian’s Perspective
Anjali’s experience highlights the importance of giving people with disabilities the opportunity and support to develop their abilities. Her story also shows how assumptions about disability can overlook individual talent and determination. Creating more inclusive spaces where people can learn, work and express themselves can help ensure that disability does not become a barrier to pursuing a creative interest.
What can we do to make opportunities in art and other creative fields more accessible?
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